How confession got out of the box; making an impression

How confession got out of the box; making an impression
7th June 2017 Kathryn
pencil sketch for confessions a painting by Kathryn Sassall
pencil sketch for confessions a painting by Kathryn SassallBringing confession to light, meant combining images from different sources. The sketches highlight the ideal positions of the two people involved. Then I used a sideways shot of a friend to define the ‘professional’. A head shot of my mum was used to create her portrait; she loved the idea and happily posed face on to the camera.
Texture gel and a stiff brush was used to create the effect of the wood of the confession box. The uniform pattern of the grille was causing me concern. Whilst the underlying acrylic layers were dry, so I could wipe off any errors, I was not sure how to get the regularity of the shape and its repeat in the pattern. My confession acrylics are very forgiving!male head portrait in acrylic from confession painting by kathryn sassall
I looked at buying a piece of fretwork which could be painted and pressed onto the canvas.  Testing on another canvas it was clear that the spring in the canvas would not let it take the impressed image smoothly. Screenprinting was ruled out for the same reason. The canvas could have to be taken off-stretchers to make that work but would have added a lot of time.

Stamping on it.

Another confession I borrowed someone else’s great idea. Spotting someone on Instagram who was creating individual prints from stamps I started to look at pre-cut pattern stamps and the possibility of uncut stamps.  They were not very big or in the right design. A friend suggested a potato would have a bigger footprint. I confess to having loved making shapes when younger and printing cards or patterns with potatoes.  It was then I saw someone making greeting cards by stamping using shapes she carefully cut from erasers of different sizes.
Perfect! I got a large eraser which I cut into the desired shape for the fretwork for the grille. A few tests later to get the right size, texture of paint and colour, I started to layer the grill on top of the portrait of my mother. A few touch ups, and highlights later the paintings was out of my head. It was great to create the image  as I’d originally imagined it. The darkness and the light in the faces.
The way dementia impacts a person is as individual as they are. This picture appears dark, but reflects light. The golden touches  lighten the image and honour my mother who remained knowingly mischievous and laughed out loud throughout.  Full story behind the idea is in the previous blog here.
If you or someone you know is being tested for dementia or started living with dementia you are never alone. Your GP should be able to give you some information. Talk to  your local Age UK and find a  dementia friend there are over 2.5 million in the UK. I became one in 2017.

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